Conrad Marca-Relli
American,
Works
Biography
Conrad Marca-Relli was born in Boston, Massachusetts in , and during his childhood and youth in Europe, he received his first art lessons in Italy. In , he settled in New York City where he studied at various schools including Cooper Union. From to , he was a WPA artist with the Federal Art Project, and this job was his first opportunity to devote himself exclusively to his artwork. It also brought him into contact with other New York modernists such as Willem de Kooning and Franz Kline. From to , he was again in Europe and turned to Surrealist circus and architectural themes influenced by Giorgio de Chirico and Henri Rousseau. In Rome, he completed his first body of important works, based on Italian Renaissance architectural themes and circus motifs. These paintings were later exhibited in New York City at the Niveau Gallery. Marc-Relli returned to New York where he pursued a style of controlled, sharp edged, biomorphic shapes with urban themes. Marca-Relli went to a trip to Mexico in where he was impressed by the contrasts between flat white adobe buildings and the black shadows on them from the brilliant sun.
Conrad Marca-Relli, a member of the New York School’s first generation, was a pioneer of Abstract Expressionism. He is most celebrated for his large-scale collages, composed of pieces of canvas or natural linen overpainted with gestural brushstrokes. In , William Agee, then curator at the Whitney Museum of American Art, praised Marca-Relli’s work, claiming that his “achievement has been to raise collage to a scale and complexity equal to that of monumental painting.” (1)
Born in Boston on June 5, , to Italian immigrant parents, Marca-Relli was a primarily self-taught artist and an inveterate traveler who bridged the American and European art worlds. He spent much of his childhood moving back and forth between the United States and Europe; his father was a news commentator and a journalist whose assignments required frequent travel. When he was thirteen, Marca-Relli and his parents permanently settled in New York, where he began his first formal artistic training. With the encouragement of his father, he took night classes at a private art school. After finishing high school in , he studied at the Cooper Union for a year before establishing his ow
Known for his collage-making abilities in Cubist and Abstract Expressionist style as well as paintings, Conrad Marca-Relli spent most of his professional career in New York City. He was born in Boston, Massachusetts, and during his childhood and youth in Europe, he received his first art lessons in Italy.
In , Conrad Marca-Relli settled in New York City where he studied at various schools including Cooper Union. From to , he was a WPA artist with the Federal Art Project, and this job was his first opportunity to devote himself exclusively to his art work. It also brought Conrad Marca-Relli into contact with other New York modernists such as Willem de Kooning and Franz Kline.
From to , Conrad Marca-Relli was again in Europe and turned to Surrealist circus and architectural themes influenced by Giorgio de Chirico and Henri Rousseau. In Rome, he completed his first body of important works, based on Italian Renaissance architectural themes and circus motifs. These paintings were later exhibited in New York City at the Niveau Gallery.
Returning to New York, Conrad Marca-Relli pursued a style of controlled, sharp edged, biomorphic shapes with urban themes. Only by chance did he tur
( – )
Conrad Marca-Relli graduated from Cooper Union in , and began his artistic career painting cityscapes and carnival scenes in a Surrealist manner. During his service in World War II, Marca-Relli absorbed the texture, solidity and inherent formal order of the architecture of ancient and Renaissance Rome. In , he returned to New York and by , he was a founding member of the “Eighth Street Club,” an artists’ group whose members included Willem de Kooning, Franz Kline and Jack Tworkov.
In , Marca-Relli visited Mexico where the effects of sunlight on adobe brick buildings had a profound impact on the development of his work. During a period of experimentation, from his rented studio in San Miguel de Allende, he discovered collage. 1 Art historian William Agee wrote, “Marca-Relli’s achievement has been to raise collage to a scale and complexity equal to that of monumental painting. Since its inception in by Picasso and Braque, collage has undergone many formal transformations, yet it has remained a corollary to painting…Marca-Relli…developed it as a complete pictorial system essentially without precedent in modern art.
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