Romane Gilia ft. Tcha Limberger, Vol. 1
$ (Canadian dollars)
A collection of rare Manouche Gypsy songs featuring Tcha Limberger on guitar/violin/viola/bass/vocals. Read full description…
A collection of rare Manouche Gypsy songs featuring Tcha Limberger on guitar/violin/viola/bass/vocals.
Please note the special pricing system. For more information, please consult the FAQ for more information. All updates are free of charge once you purchase, even at the discounted price! Please also consult the notice above, for info on updates, if any.
Contains:
-HD video performances of Tcha Limberger.
-Backing tracks of each song with possibilities for muted bass/violin/rhythm guitar/lead -guitar (when relevent).
-Lessons on each song regarding interpretation and choice of voicings
-Lead sheets included: melody and harmony. Please note, lyrics are not included
-Guitar voicings for Eastern European style songs (Dui Dui & Fuli Tschai). TAB and standard notation
-Tcha's favorite chord voicings for common chord progressions. TAB and standard notation
-3 Improvisation Etudes for guitar transcribed in TAB and standard notation
-3 Improvisation Etudes for violin transcribed in
Ne plus « voir » pour mieux « entendre »D’Aka Moon à Requiem pour L, de Coup fatal à Opus , Fabrizio Cassol est « un prince de l’aventure » musicale. Saxophoniste et compositeur, il est curieux de toutes les musiques, celle des pygmées Aka comme celle de Mozart, celle des Balkans comme celle de Monteverdi ou du hip-hop. Pour lui, les notes ne sont pas tout, il faut qu’elles aient du sens, qu’elles soient en relation avec la vie. Avec « I Silenti » Fabrizio Cassol donne la parole à ceux qui sont réduits au silence, qui n’ont jamais pu écrire de lettres. Il « triture » les madrigaux de Monteverdi et les confronte aux chants des Roms et des Balkans pour créer une musique déchirante qui touche en plein cœur. Avec neuf artistes venus du monde entier, ce spectacle musical, mis en scène par la jeune Lisaboa Houbrechts est conçu autour du chanteur pluri-instrumentiste manouche Tcha Limberger, de la chanteuse américaine Claron McFadden, de la danseuse indienne Shantala Shivalingappa et de musiciens inspirés. L’ensemble se révèle d’une beauté musicale et scénique à couper le souffle ! Tous insufflent une vie nouvelle à quelques-uns des plus b
BIOGRAPHY
Tcha Limberger is a distinguished multi-instrumentalist and a virtuoso on most of them. A composer and educator with an international musical career that spans several decades, genres and continents, characterised by a nurturing approach to and a deep emotional connection with music. His contributions, both as a performer, composer, and educator solidify his position as a significant force in today's musical landscape. His unique ability to transcend genres has positioned him as a leading figure within both traditional and contemporary music, earning him accolades from critics and fans alike and leading to collaborations with a diverse range of artists from around the globe.
Often exploring and reflecting on cultural themes, and integrating influences from his Romani heritage, he has contributed to the broader landscape of world music and inspired a new generation of musicians. He studied the music of Kalotaszeg with his mentor the legendary Neti Sandor, and the Magyar Nota style of Budapest with celebrated primas Horvat Bela. An education which, alongside his extensive exploration of the culture and language of these styles has contributed to his recognition
Rob Adams Journalist
Tcha Limberger - Feeling Hungary for music
Tcha Limberger doesn’t do things by halves. When the Belgian-born multi-instrumentalist learns a style of music, he doesn’t just learn the notes – he learns the language of the country that produced the music so that he knows exactly what feelings he should be expressing. And when he plays the music, he follows the dictum learned from clarinettist and soprano saxophone pioneer Sidney Bechet, that music is life or death, with nothing in between.
Limberger’s facility with languages – he speaks six fluently – mirrors his infatuation with a similar number of instruments. Born blind into a family of gypsy musicians, he experienced music in his early years in the same way he breathed in air. It was all around him. His father, Vivi, played guitar in Belgian gypsy jazz group Waso, which also featured Tcha’s guitar playing uncle, Fapy Lafertin. Another uncle, Biske, played double bass and Tcha grew up hearing stories about his grandfather Piotto’s expertise on violin.
“My father was in Waso for about thirteen years, so there would usually be musicians around,” s
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