Stabat mater di arvo part biography

Liturgiline sekvents

Stabat Mater dolorosa
juxta crucem lacrimosa,
dum pendebat Filius.

Cujus animam gementem,
contristatam et dolentem
pertransivit gladius.

O quam tristis et afflicta
fuit illa benedicta
Mater Unigeniti!

Quae maerebat et dolebat,
et tremebat dum videbat
nati poenas incliti.

Quis est homo, qui non fleret,
Christi Matrem si videret
in tanto supplicio?

Quis non posset contristari,
piam Matrem contemplari
dolentem cum Filio?

Pro peccatis suae gentis
vidit Jesum in tormentis,
et flagellis subditum.

Vidit suum dulcem natum,
morientem desolatum,
dum emisit spiritum.

Eja Mater, fons amoris,
me sentire vim doloris
fac, ut tecum lugeam.

Fac, ut ardeat cor meum
in amando Christum Deum,
ut sibi …

Liturgiline sekvents

Stabat Mater dolorosa
juxta crucem lacrimosa,
dum pendebat Filius.

Cujus animam gementem,
contristatam et dolentem
pertransivit gladius.

O quam tristis et afflicta
fuit illa benedicta
Mater Unigeniti!

Quae maerebat et dolebat,
et tremebat dum videbat
nati poenas incliti.

Quis est homo, qui non fleret,
Christi Matrem si videret
in tanto supplicio?

Quis non posset contristari,
piam Matrem contempla

Arvo Pärt is one of those composers in the world, whose creative output has significantly changed the way we understand the nature of music. In , he created a unique musical language called tintinnabuli, that has reached a vast audience of various listeners and that has defined his work right up to today. There is no compositional school that follows Pärt, nor does he teach, nevertheless, a large part of the contemporary music has been influenced by his tintinnabuli compositions.

Childhood and studies

As a third year student with Heino Eller,

Arvo Pärt was born on 11 September in Paide, where he also spent his first years. In , the Pärt family moved to Rakvere, where he began to study piano at Rakvere Music School under Ille Martin. Having graduated from Rakvere Secondary School No 1 (), he continued studying music at the Tallinn Music School under Veljo Tormis. His studies were interrupted by mandatory military service in the Soviet Army (–), after which, in , he continued at the Tallinn State Conservatoire under Heino Eller graduating in Several works composed during his student years still belong to the official list of his compositions: two sonatinas (–) and par

Articolo di: 

Livia Bidoli

L’Omaggio ad Arvo Pärt si è concluso nel pieno della sua produzione sacra e spirituale con lo Stabat Mater del 29 gennaio , con il Theatre of Voices guidato da Paul Hillier (basso) al Parco della Musica in collaborazione con l'Accademia Filarmonica Romana; ed il Magnificat del 2 febbraio con i Tallis Scholars all'Istituzione Universitaria dei Concerti. Una conclusione estremamente armonica per un compositore che nel suo presente rievoca le origini della polifonia sacra attualizzandole.

Il programma dello Stabat Mater del 29 gennaio alla Sala Petrassi del Parco della Musica propone la Missa Syllabica - in una nuova versione in prima assoluta - di ArvoPärt alternata ai canti sacri di Guillaume De Machaut, Perotin, Guillaume Dufay e due anonimi. Lo Stabat Mater conclude il programma. La Missa Syllabica si propone come un leggero interludio senza pathos che sorvola il cristallino e composito Veni creator spiritus di De Machaut dove violini e violoncello svettano rarefatti e complessi. Via via che i brani dalla Missa di Pärt si compongono, la statura della composizio

Liturgical sequence, 13th-century Catholic hymn to Mary

Stabat Mater dolorosa
juxta crucem lacrimosa,
dum pendebat Filius.

Cujus animam gementem,
contristatam et dolentem
pertransivit gladius.

O quam tristis et afflicta
fuit illa benedicta
Mater Unigeniti!

Quae maerebat et dolebat,
et tremebat dum videbat
nati poenas incliti.

Quis est homo, qui non fleret,
Christi Matrem si videret
in tanto supplicio?

Quis non posset contristari,
piam Matrem contemplari
dolentem cum Filio?

Pro peccatis suae gentis
vidit Jesum in tormentis,
et flagellis subditum.

Vidit suum dulcem natum,
morientem desolatum,
dum emisit spiritum.

Eja Mater, fons amoris,
me sentire vim doloris
fac, ut tecum lugeam.

Fac, ut ardeat cor meum
in am…

Liturgical sequence, 13th-century Catholic hymn to Mary

Stabat Mater dolorosa
juxta crucem lacrimosa,
dum pendebat Filius.

Cujus animam gementem,
contristatam et dolentem
pertransivit gladius.

O quam tristis et afflicta
fuit illa benedicta
Mater Unigeniti!

Quae maerebat et dolebat,
et tremebat dum videbat
nati poenas incliti.

Quis est homo, qui non fleret,
Christi Matrem si videret
in tanto supplicio?

Quis non p


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