Josette dayde biography of michael

Short Biography

Josette Daydé (March 28,  – March 4, ) was a French jazz/swing singer, chansonnière and actress. Her first appearance as a singer was on the operettas "Au soleil de Marseille" by Vincent Scotto, "Toi c'est moi" (in January at l'Appollo with Georges Guétary) and "On a volé une étoile". During the German occupation in World War II in , she recorded "Grand-père n'aime pas le swing" (Grandpa doesn't like the swing), written by F. Llenas and N. Matisson, and her version of "Oui!" (Yes!), after versions by Louis Gasté, G. Breysse and Alix Combelle. In she recorded her interpretation of the song "Le Rythme Américain" (The American Rhythm). During her film career, she recorded several interpretations of chansons by Louis Gasté.

Tags: birth day 28birth month marchbirth year death day 4death month marchdeath year frenchsinger

Josette Daydé , nascida emem Perpignan ( Pirineus Orientais ) e morreu ema Bruxelas ( Bélgica ), é uma cantora e atriz francesa .

Biografia

Em , Josette Daydé começou cantando em operetas ( Au soleil de Marseille , de Vincent Scotto  ; Toi c'est moi , en, com um novato chamado para uma carreira notável, Georges Guétary  ; Roubamos uma estrela ). Durante a Ocupação , especializou-se em canções de swing ( Grand'père não gosta de swing  ; Sim , de Louis Gasté e Alix Combelle ). É então uma das intérpretes preferidas de Louis Gasté, de quem cria, em , The American rhythm .

Em Le Roi des riders et Madame et son flirt , ela canta várias canções de Louis Gasté.

Vida privada

Ela se casou em com Marcel Lepage .

Josette Daydé morreu em

Filmografia

Prêmios

links externos

Biography

French jazz/swing singer, chansonnière and actress. Her first appearance as a singer was in the operettas "Au soleil de Marseille" by Vincent Scotto, "Toi c'est moi" (in January at l'Appollo with Georges Guétary) and "On a volé une étoile". During the German occupation in World War II in , she recorded "Grand-père n'aime pas le swing" (Grandpa doesn't like the swing), written by F. Llenas and N. Matisson, and her version of "Oui!" (Yes!), after versions by Louis Gasté, G. Breysse and Alix Combelle. In she recorded her interpretation of the song "Le Rythme Américain" (The American Rhythm). During her film career, she recorded several interpretations of chansons by Louis Gasté. She died on 4 March , aged 71, in Brussels, Belgium.

Link to Wikipedia biography

Events

• Death, Cause unspecified 4 March (Age 71)

Source Notes

Grazia Bordoni database, 'entertainment' file quotes Gauquelin.

Categories

• Vocation&#;: Entertainment&#;: Actor/ Actress

• Vocation&#;: Entertain/Music&#;: Jazz

• Vocation&#;: Entertain/Music&#;: Vocalist/ Pop, Rock, etc. (Jazz/swing singer)

A recent post on Boing Boing discussed the newly discovered &#;rules for jazz performers during the Nazi occupation.&#;  Jewish and Black people &#; two groups targeted by the Nazis &#; were also the primary innovators of jazz music. But even as the German state denigrated jazz, jazz musicians, and swing dancers, Nazi soldiers loved jazz!  How to handle such a contradiction? Rules for playing jazz music: no &#;Jewishy gloomy lyrics,&#;  no &#;Negroid excesses in tempo,&#; and no &#;hysterical rhythmic reverses characteristic of the barbarian races.&#;  

It&#;s well worth a look, as is this post from explaining how many groups vilified by Nazis survived the Holocaust by playing jazz for Nazi soldiers&#;

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I have a favorite historical musician: Django Reinhardt.

Reinhardt was a Roma jazz musician. During World War II both Roma and jazz musicians were targeted by

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