Bernd and Hilla Becher“The question ‘is this a work of art or not?’ is not very interesting for us.”
The husband and wife team of Bernd and Hilla Becher began photographing together in For close to fifty years, they documented architectural forms they collectively referred to as “anonymous sculpture.” Their extensive series of water towers, blast furnaces, coal mine tipples, framework houses of mine workers, and other vernacular industrial architecture—often technologies on the verge of obsolescence—comprise an in-depth study of the intricate relationship between form and function. The Bechers produced impeccable black and white photographs, using a large-format camera carefully positioned under overcast skies to record shadowless front and side elevation views of their subjects. Arranging these matched photographs in a grid, the Bechers produced what they called “typologies,” which grouped buildings by function, underscoring the similarities and differences between structures.
Bernd Becher studied painting and lithography, and Hilla Wobeser trained as a commercial photographer. The two met in Düsseldorf, and began collaborating, photographing industrial sites Bernd kn
Bernd & Hilla Becher
The husband and wife team of Bernd and Hilla Becher began photographing together in For close to fifty years, they documented architectural forms they collectively referred to as “anonymous sculpture.” Their extensive series of water towers, blast furnaces, coal mine tipples, framework houses of mine workers, and other vernacular industrial architecture—often technologies on the verge of obsolescence—comprise an in-depth study of the intricate relationship between form and function. The Bechers produced impeccable black and white photographs, using a large-format camera carefully positioned under overcast skies to record shadowless front and side elevation views of their subjects. Arranging these matched photographs in a grid, the Bechers produced what they called “typologies,” which grouped buildings by function, underscoring the similarities and differences between structures.
Bernd Becher studied painting and lithography, and Hilla Wobeser trained as a commercial photographer. The two met in Düsseldorf, and began collaborating, photographing industrial sites Bernd knew from his childhood. They married in The Bechers went on to teach at Kunstakademie
Bernd and Hilla Becher
Bernd & Hilla Becher
By Bernd and Hilla Becher
Publisher : Publisher : Metropolitan Museum of Art
| pages
The first comprehensive, posthumous monograph and retrospective on Bernd and Hilla Becher, best known for their photographs of industrial structures in Europe and North America
For more than five decades, Bernd (–) and Hilla (–) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers’ quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the Bechers’ iconic Typologies, the book includes Bernd’s early drawings, Hilla’s independent photographs, and excerpts from their notes, sketchbooks, and journals. The book’s authors offer new insights into the development of the artists’ process, their work’s conceptual underpinnings, the photographers’ relationship to deindustrialization, and the artists’ legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists’ son, make this volume an unrivaled look into the Bechers’
Summary of Bernd and Hilla Becher
Bernd and Hilla Becher spent their career documenting industrial structures across the Western world, creating a form of photography arranged by type that, through repetition, encourages viewers to engage deeply with the formal qualities of the subject matter. The Bechers took thousands of images and divided these into categories based on function and sequences based on formal similarities, borrowing from scientific classification for artistic ends, focusing attention on the hitherto overlooked, suggesting that industrial forms were worthy of scrutiny. Their work is rigorously objective in its aims, but in its exacting presentation stimulates consideration of the ways in which people organize and receive information about their own environments and the wider world. Bernd and Hilla Becher aspired to direct the audience's attention away from the photograph, emphasizing the content rather than light, perspective, or other artistic choices, but in doing so created a school of photography that forced reconsideration both of the presentation of images and the preservation of the built environment.
Accomplishments
- Since the s, the Bechers have fo
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